A painting at the Minneapolis Institute twenty years earlier. A black horse against a storm-dark background. I had stood in front of it long enough for Joshua to tease me for falling in love with anything that looked like it might kick down heaven’s front gate.
And he had remembered.
“Did he ever…” I stopped, then tried again. “Did he ever tell you he was sick?”
Ellis lowered his eyes. “Not directly. But the last six months, he worked like a man who knew time had changed its terms.”
I looked at Midnight again. The horse lifted his head higher and stepped toward the stall door, enormous and shining and alive. Grief is strange that way. It can hit hardest not in funerals or documents or last words, but in the evidence of how long someone planned to love you after they were gone.
“His brothers were here yesterday,” I said.
Ellis’s jaw tightened.
“That so.”
“You’re not surprised.”
“No, ma’am.” He folded the rag once, neatly. “They’ve been circling since word got out about oil on neighboring land. Funny thing, none of them cared much for the family farm when it was just dirt and bad roofs. Now they speak about legacy like they invented the word.”
“What can you tell me about them?”
He leaned against the stall divider, considering. “Robert’s the oldest. Toronto money type. Likes to sound reasonable while he’s rearranging the furniture under your feet. Allan’s a lawyer. Sharp enough to peel paint. David’s the youngest, though he’s still older than your husband was. He mostly follows Robert’s lead, but don’t mistake quiet for harmless.”
“And Joshua?”
“What about him?”
“With them.”
Ellis looked at me for a long moment, measuring what to say.
“From what I gathered,” he said carefully, “your husband never really stopped being the one they thought they could corner. Childhood patterns run deep, especially in families that prefer force to affection.”
That was answer enough.
When I returned to the house, I carried with me a new sense of the place, not just as Joshua’s secret project but as a deliberate inheritance. Not money. Not even land, exactly. A field of choices he had prepared for me before stepping off the map.
I took my breakfast at the long kitchen table with the laptop open in front of me.
The second video began with Joshua seated in what I now recognized as the library, shelves behind him, morning light at his shoulder.